Sounds of power and popular noises: Analysis of choral practice from the perspective of human rights and nature
Article Sidebar
Main Article Content
Abstract
Since ancient times the ethos of choral music or chorality has kept a singular relationship with the human being, through it he has communicated, allied and fought for his rights in dissimilar circumstances. In this case we propose the process of choral work post pandemic of a choral group of elderly women and their rehabilitation of vocal skills, rhythmic, attention, coordination, as well as social relations. This process that is born from the University of the Arts of Ecuador will be closely related to two components such as musical education for vulnerable groups and human rights where our objective will be to create, produce and disseminate their recognition in the construction of methodologies in the visual and sound field deriving in an artistic production.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
This journal provides free access to its content through its website following the principle that making research available free of charge to the public supports a larger exchange of global knowledge.
Web content of the journal is distributed under a
Atribución-NoComercial-CompartirIgual 4.0 Internacional (CC BY-NC-SA 4.0)
Authors may adopt other non-exclusive license agreements for the distribution of the version of the published work, provided that the initial publication in this journal is indicated. Authors are allowed and recommended to disseminate their work through the internet before and during the submission process, which can produce interesting exchanges and increase citations of the published work.
Atribución-NoComercial-CompartirIgual 4.0 Internacional (CC BY-NC-SA 4.0)
